"From the dawn of the atomic age, art and popular culture have played an essential role interpreting nuclear issues to the
public and investigating the implications of nuclear weapons to the future of human civilization. Political and social forces
often seemed paralyzed in thinking beyond the advent of nuclear weapons and articulating a creative response to the
dilemma posed by this apocalyptic technology. Art and popular culture are uniquely suited to grapple with the implications
of the bomb and the disruptions in the continuity of traditional narratives about the human future endemic to the atomic age.
"Filling the Hole in the Nuclear Future explores the diversity of visions evoked in American and Japanese society by the
mushroom cloud hanging over the future of humanity during the last half of the twentieth century. It presents historical
scholarship on art and popular culture alongside the work of artists responding to the bomb, as well as artists discussing
their own work. From the effect of nuclear testing on sci-fi movies during the mid-fifties in both the U.S. and Japan, to the
socially engaged visual discussion about power embodied in Japanese manga, Filling the Hole in the Nuclear Future takes
readers into unexpected territory."